Since 1898 the War of the Worlds has been translated into countless languages, adapted by comic books, radio, film, stage, and even computer games, and has inspired a wide range of alien invasion tales in every medium. Few ideas have captured the imagination of so many people all over the world in the last century so well. It is a tribute to H.G. Wells that his story of alien conquest was not only the first of its kind, but remains one of the best.
The 1927 American reprint, it can be argued, was one of the touching-off points for the Golden Age of science fiction. It inspired John W. Campbell to write and commission invasion stories — which also prompted authors like Arthur C. Clarke, Clifford Simak, Robert A. Heinlein and John Wyndham to do the same.
Foundation is a sweeping tale of pyschohistory and the battle for the intellectual soul of a civilization. and According to the BBC:
The Foundation series helped to launch the careers of three notable science fiction authors of the succeeding generation. Janet Asimov sanctioned these novels, which were published in the late 1990s: Foundation’s Fear by Gregory Benford, Foundation and Chaos by Greg Bear, and Foundation’s Triumph by David Brin.” And without a doubt it launched the imaginations of countless other writers.
It is also worth mentioning that the Foundation series won the 1966 Hugo for best all-time series. An award that has not been given out since.
And this book’s influence goes beyond science fiction: Artificial intelligence pioneer Marvin Minsky classified Asimov “among the finest of modern philosophers,” and Nobel-prize-winning economist Paul Krugman describesFoundation as his version of Atlas Shrugged, “I didn’t grow up wanting to be a square-jawed individualist or join a heroic quest; I grew up wanting to be Hari Seldon, using my understanding of the mathematics of human behaviour to save civilisation.”
Cover art by Don Ivan Punchatz.
The first science-fiction work to enter the New York Times Book Review’s bestseller list, Stranger sold 100,000 copies in hardcover and over five million in paperback. Kurt Vonnegut gloated on Heinlein’s behalf, on the occasion of the novel’s 30th “birthday,” calling it “a wonderfully humanizing artifact for those who can enjoy thinking about the place of human beings not at a dinner table but in the universe.”
And this book’s influence (and that of Heinlein’s other books) can’t be overstated. Arthur D. Hlavaty refers to Heinlein as a prototypical science-fiction author, saying:
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