One of the ways human beings organize the world is by prototypes. We define a set as a typical example and a bunch of other things that are like it. For instance, when I was growing up, the prototype Writer was Shakespeare, the Artist was Rembrandt, and the Composer was Beethoven.In that way, Robert A. Heinlein has been often been taken as the prototype Science Fiction Writer, and as changes and new paradigms shake the field, he still sometimes represents the science fiction of the past.
Writer Ted Gioia looks at Stranger in a Strange Land‘s main character as a prototype for other similar characters in SF, saying: “Smith is more than a character. He is prototype of an alternative personality structure. The question of whether we can remake the human personality from the ground up.” To date, there have been 28 editions of this book.
Cover art by James Warhola.
This series helped launch the careers of almost every major author of the New Wave. The first volume included Samuel R. Delany, Philip K. Dick, and J.G. Ballard. In his introduction to the 2002 reissue of Ellison’s anthology, contributor Michael Moorcock wrote of Ellison’s collections:
He changed our world forever. And ironically, it is usually the mark of a world so fundamentally altered—be it by Stokely Carmichael or Martin Luther King Jr. or Lyndon Johnson, or Kate Millet—that nobody remembers what it was like before things got better. That’s the real measure of Ellison’s success.
“Gonna Roll the Bones” by Fritz Leiber won a Hugo Award and a Nebula Award for Best novelette. Philip K. Dick’s “Faith of Our Fathers” was also nominated for best novelette. “Riders of the Purple Wage” a novella by Philip José Farmer tied for the Hugo Award. Samuel R. Delany got the Nebula for Best Short Story for “Aye, and Gomorrah…” Harlan Ellison was given a commendation at the 26th World SF Convention for editing “the most significant and controversial SF book” published in 1967.
Arthur C. Clarke himself had reservations about this novel, yet it sold out its first printing, 200,000 copies, in just two months after publication. Author Jo Walton writes about the first book to feature benevolent aliens who try to help the human race evolve:
Science fiction is a very broad genre, with lots of room for lots of kinds of stories, stories that go all over the place and do all kinds of things. One of the reasons for that is that early on there got to be a lot of wiggle room. Childhood’s End was one of those things that expanded the genre early and helped make it more open-ended and open to possibility. Clarke was an engineer and he was a solidly scientific writer, but he wasn’t a Campbellian writer. He brought his different experiences to his work, and the field is better for it.
Childhood’s End was nominated for a retro Hugo award in 2004.
Artwork by Neal Adams.